Nature Collection - JOHN M FLEMING'S | Fine Art Photography
 

How are the images recorded?

Nikon Photography equipment.


What tools are used in creating the fine art prints?

John is a purist and optimizes each fine art nature photography print in his digital darkroom with PhotoShop CS and other software tools. His objective is to accurately represent exactly what was seen when the image was recorded.


Where are the images printed?

John prints each image himself in his digital darkroom to ensure the highest quality control of his art.


What equipment is used in the printing process?

John’s fine art nature photography poster-size prints are created on a wide format Epson 7800 printer.


What ink is used in the printing process?

John M Fleming images are printed using Epson Ultrachrome archival ink. Ultra Chrome inks have exceptional color saturation and an extended color range and print life up to 100 years.


On what paper are the images printed?

The Epson Premium Photo Luster and Velvet fine art paper that is used brings out the subtle details in each photo with stunning realism, and proves to be a superb media for printed, fine art photography. The archival longevity of Ultrachrome prints has been thoroughly tested and documented to far outlast traditional photographic printing techniques.


Does the image cover the entire sheet of paper?

The actual print image size is slightly smaller than the paper size, with a small white border containing the title near the lower left corner and John's signature near the lower right corner.


How are the prints numbered, named and signed?

Under the print on the white boarder in lower left corner contains the print number of the limited edition image and John M Fleming signature in graphite in the lower right corner under the image on the white edge of the photography paper.


How do I take care of my fine art photography by John M Fleming?

All images are produced using 100% cotton, acid free, archival fine art paper and Epson Ultra Chrome inks. Care should be taken, as with any piece of fine art, not to expose the image to high levels of moisture or sunlight.